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Dave McGary (1958–2013)

Dave McGary's bronzes merge the soul of the American West with Renaissance mastery. Adopted by the Oglala Sioux, he brought their stories to life in bronze. Meyer Gallery is honored to continue sharing his legacy and vision.

Solo Exhibition and Group Shows for the year.

The new exhibition dates have been set. We are eagerly anticipating the shows from these contemporary artists. Their newest works will become available just before the opening dates, so stay tuned to your favorite artists pages.

Ken Daggett Solo Exhibition

May 8 - May 21

Ken Daggett returns with new paintings shaped by long days along the Rio Grande and the high country, where light and weather set the scene. Built from direct observation and a confident pallet knife, the work holds the integrity of land’s diverse topography and color.

Brad Price Solo Exhibition

May 22 - June 4, Artist Reception Friday May 22, 4 - 6pm

Brad Price grabs the color of the Southwest with bold abandon. Featuring light and form vibrating from dynamic brushwork, the paintings describe the old world architecture and rugged landscape shaped by the high desert. Price's eye for the simple places elude to a sacred and timeless nature.

Dave McGary (1958–2013)

Solo Exhibition and Group Shows for the year.

UPCOMING SOLO EXHIBITION

BRYONY BENSLY: WONDERLAND

Bryony Bensley is known for her meticulous magical realism and this years solo show explores her modern take on Lewis Carroll's Through the Looking Glass.

Bryony has a longstanding relationship between environmental issues and her strikingly beautiful paintings. She has now melded the childhood innocence and surreal adventures of Alice with the endangered animals and insects in todays rapidly changing world.
Explore the selections included in this exhibition by visiting us in person or the online presentation. Her works are on view at the Gallery today and will be featured June 26 until July 9. Don't miss the artist reception to meet Bryony on Friday June 26, from 4 - 6 pm.

CURRENT CATALOG

Color gets noticed first. Tone works more quietly. It tells the eye where to go
before the mind has sorted out the subject. A strip of light across a floor, a figure
held partly in shadow, a pale sky pressing down over a landscape, these are
tonal decisions. They are not just effects. They are how a painting begins to take
control.

Tone starts with value, the movement from dark to light. In paint, it becomes
more than that. It can live in the weight of a surface, the drag of a brushstroke,
or the way an edge softens into air. Two paintings can use similar colors and feel
entirely different because their tone is different.

New ARRIVALS